展览
-

策展人:

在3画廊

艺术家:

弗朗西斯·培根
夏洛特·爱神洛儿
黄鹤
康甲
林羽龙
杨雁翎

Curator(s):

Being 3 Gallery

Artist(s):

Francis Bacon
Charlotte Eschenlohr
Huang He
Kang Jia
Lin Yulong
Yang Yanling

超感性/艺览北京2021 Intensive Sensual-JINGART2021

超感性
在3画廊

参展艺术家:弗朗西斯·培根(Francis Bacon)、夏洛特·爱神洛儿(Charlotte Eschenlohr)、黄鹤(Huang He)、康甲(Kang Jia)、林羽龙(Lin Yulong)、杨雁翎(Yang Yanling)。

 

北京在3画廊,将携代理英国表现主义大师弗朗西斯·培根(Francis Bacon)、德国艺术家夏洛特·爱神洛儿(Charlotte Eschenlohr)、及国内青年艺术家黄鹤、康甲、林羽龙、杨雁翎的群展项目《超感性》,申请JINGART艺览北京。

 

用电影《盗梦空间》的话来说,“感性是第一层梦境,而超感性是第二层梦境。”而这“感性中的感性”正如同艺术家的创作,无论任何风格的艺术家,我们都可以感受到,在个人感知的层面上,他们是如何打开人类视野的。而这正是因为艺术家的特长在于他会超越现实去看待事物,并纯粹根据自己个人的理解把它表达出来,有时为了顺应自己瞬间的偏好,甚至会达到将事物扭曲变形的地步。通常,这种能力可能与心理上的极其脆弱和过分敏感有关,来源于个人秉性或也可能是他所接受的教育,可能会受到环境条件或其他临时因素的影响,就像摄取物质能够改变意识状态一样。当这些表现无法在某个特定时间点或某个特定情形下得到解决,就会变成一种惯性,那么,它们就会逐渐形成一种痴迷。

从这一主题出发,英国艺术大师弗朗西斯·培根(Francis Bacon)带着一种“因为被爱,所以我画。”的姿态和冲动,通过示意动作的线条符号和颜色来展现他的痴迷,而这种迷恋程度则随着艺术创作的过程而得到逐渐的平复。在他狂热激动的状态达到被释放的时刻,他自己的情感也随之得到了解放,并将其转载到画布上或纸上。这是一个过程,在这个过程中他隐藏深处的情感和灵魂得以流露和浮现,使他能够创造并表达他所有的审美价值和艺术品质。

而夏洛特·爱神洛儿(Charlotte Eschenlohr)则是典型德国表现主义的创作形态,在她的画面中,她没有压抑自己的冲动,丰富且充满激情的色彩,大胆的材料组合形式,席卷着社会问题,绚烂之下所表达的往往是最为深刻的反思。

黄鹤不断尝试人体与空间关系的各种可能性,那些受控制的戏剧形式、色彩、形体和神秘的氛围,多次出现在他的作品中,并呈现出强烈的、极具虚实之间的舞台剧体验。同时,黄鹤并吸收了德国表现主义中内在特性,用简单的形和幽暗的色彩,并且混合了多种涂色方法,营造出一种静态的固定程式的滑稽场景。

康甲以生存、情欲、毁灭、死亡等强烈的情感为主题,同时即时转述快消费时代的各式符号,在这种强烈的色彩之下,艺术家言说的是一种社会性的悲观荒诞,也许,人人都是跻身城市的“有色”人种。

林羽龙的作品将色彩与织物紧密的链接为一体,从作品层面来看我们很难说明这究竟是绘画还是织物?甚至空间也成为了作品的延展表达,极简主义的图示却能够准确地传达艺术家的情感并传递给观众。

杨雁翎以“花”为体裁,以“线”的互相缠绕,四处蔓延,形成“皱褶”和“块茎”。这与法国哲学家德勒兹所提出的“根茎”概念相关联,“褶子”来体现生命和世界的复杂性、动态性,“块茎”再一次突出了世界的根源没有原点,没有中心,这种收缩与伸开,开合的动态性,为我们捕捉到常被忽视的那个单纯且丰富的视觉世界。

 

几位艺术家构建了完整的“超感性”脉络,从表现主义到极简主义,再到波普涂鸦,一场如YBA般的超感性视觉盛况,将同时让观众反思“人性”的问题,即从人性的脆弱、矛盾和过火进入,并紧密联系到人性内在的力量和精力。

Intensive Sensual
Being 3 Gallery

Artists:Francis Bacon、Chen Danyang、Charlotte Eschenlohr、Huang He、Kang Jia、Lin Yulong、Yang Yanling


In the words of the movie "Inception", "sensibility is the first dream, and supersensitivity is the second dream." And this "sensibility in sensibility" is just like the creation of an artist, no matter what style of artist we You can feel how they open up human vision on the level of personal perception. And this is precisely because the artist’s specialty lies in his ability to look beyond reality and express it purely based on his own personal understanding. Sometimes in order to conform to his own instant preference, he even reaches the point of distorting things. Usually, this ability may be related to extremely fragile and excessively sensitive psychologically, derived from personal temperament or education received by him, and may be affected by environmental conditions or other temporary factors, just as ingesting substances can change the state of consciousness. same. When these manifestations cannot be resolved at a certain point in time or in a certain situation, they will become a kind of inertia, and then they will gradually form an obsession.
 


Starting from this theme, the British art master Francis Bacon has a gesture and impulse of "because I am loved, so I paint", and expresses his obsession through the line symbols and colors of gestures, and this This kind of fascination gradually calmed down with the process of artistic creation. When his fanatical state of excitement reached the moment of being released, his own emotions were also liberated and reprinted on canvas or paper. This is a process in which his hidden deep emotions and souls are exposed and emerge, enabling him to create and express all his aesthetic values ​​and artistic qualities.
 


Charlotte Eschenlohr (Charlotte Eschenlohr) is a typical German expressionist creative form. Her paintings do not suppress her own impulse, rich and passionate colors, bold material combinations, and sweeping social issues. What is expressed under the splendor is often the most profound reflection.
 


Huang He constantly tries various possibilities of the relationship between the human body and space. Those controlled dramatic forms, colors, shapes, and mysterious atmospheres have appeared in his works many times, and present a strong and very strong relationship between reality and reality. Stage play experience. At the same time, Yellow Crane has absorbed the inherent characteristics of German expressionism, using simple shapes and dark colors, and mixed a variety of coloring methods to create a static and fixed-program comic scene.
 


Kang Jia takes survival, lust, destruction, death and other strong emotions as the themes, and at the same time instantaneously recounts various symbols of the era of fast consumption. Under this strong color, the artist speaks of a social pessimistic absurdity, perhaps Everyone is a "colored" race among the cities.
 


Lin Yulong's work integrates color and fabric closely. From the perspective of the work, it is difficult to say whether this is painting or fabric? Even the space has become the extended expression of the work, but the minimalist icons can accurately convey the artist's emotions and convey it to the audience.
 


Yang Yanling uses "flowers" as the genre, with "threads" entangled with each other, spreading everywhere, forming "wrinkles" and "tubes". This is related to the concept of "rhizome" put forward by the French philosopher Deleuze. "Pleated" reflects the complexity and dynamics of life and the world. "Tuber" once again highlights that the root of the world has no origin and no center. This kind of contraction and expansion, the dynamics of opening and closing, captures the simple and rich visual world that is often overlooked.
 
Several artists have constructed a complete "super-sensual" context, from expressionism to minimalism to pop graffiti. A super-sensual visual event like YBA will also allow the audience to reflect on the issue of "human nature", namely Enter from the fragility, contradictions and excesses of human nature, and are closely connected to the inherent strength and energy of human nature.