【BLOUIN ARTINFO报道】布克哈德·冯·哈德“迂回与距离”北京在3画廊启幕 Burkhard von Harder’s ‘Detour + Distance’ at Being 3 Gallery, Beijing
北京在3画廊近日在其北京空间举办布克哈德·冯·哈德的个展——“迂回与距离”。
“迂回与距离”由薛丹青策展。作为战后的一代，布克哈德以这次展览展示出自己的孤独艺术旅程——穿越满含愧疚的家族血泪史。在这段受诸多神秘文化的启发的灵魂之旅中，布克哈德的创作向超然的境界不断突破。展览横跨布克哈德35年创作生涯——迂回与距离——是该艺术家的作品集在亚洲的第一次集中呈现。
布克哈德发展了一套独有的语言，能够描绘出自己内心感触的源泉，并将其融入到可视的语言中。这种对符号学的精通，使艺术家能呈现出自己和自己作品的多元化，组合及解构的可能性。这次展览引入了艺术家的各种实践——包括组合不同的图层、概念性的装置、摄影、录像，有些作品甚至是专门为这个展览创作的。所有这些作品都代表了布克哈德不同阶段的自我表达，这些表达都源自于他自我而独特的心路历程。从他1980年至今的作品中，可以发现这些不相交的心路历程逐渐通过三棱镜汇合在一起。观众将看到一个消费艺术家题材的全新解读，艺术家在重塑观点和话题的时候，也同时改变了作品的视角和形态。
这次展览缘起于艺术家把自己的创作视为“标记”的陈述，并从持续的专注于调查消失的个人和文化历史中提炼出无数个瞬间，尽管这些历史曾一度被屏蔽或掩埋。这条水平线上包含了三个格窗，每一个都带有独特的主题——从家庭参照到文化抽象性，形成一组三张巨大相片组成的三重奏——象征着精神领域的“净化”。
展览持续到2018年5月5日，在3画廊地址：北京塑料三厂文化创意园，南皋路129号。
BLOUIN ARTINFO报道
杨雨田翻译
Being 3 Gallery is hosting Burkhard von Harder’s exhibition titled “Detour + Distance” at its Beijing venue.
Curated by Xue Danqing, Burkhard von Harder’s exhibition portrays his singular artistic journey into and away from his German family history fraught by the guilt carried by the post- World War II generation. This path is a spiritual one that is inspired by his interest in mystical traditions, carrying the artist through his creative exploration towards a state of transcendence. Spanning his 35-year career — “Detour + Distance”— is the first major survey of Burkhard von Harder’s oeuvre, presented here in Asia.
The artist has developed a unique language that demonstrates and reveals a source of immanence, merging it with visual language. This intimate semiotics suggests a plurality, a constructing and deconstructing of form — of his work and of himself. The exhibition draws on the artist’s practice of constructing layered, conceptual approaches to installations, photographs, and videos, including the new projects created for this exhibition. All of these works represent varying phases of expression mined from the artist’s individual and idiosyncratic path, viewed through a prism that align the disparate threads that appear in his work from the 1980s to the present. The audience looks at a fresh interpretation of subjects that consume him, altering the perspective and form of the work, as he readdresses these ideas and topics.
The exhibit derives from the artist’s statement that his creation is a process of ‘marking,’ extracting moments brought forward from a tireless preoccupation with probing into the hidden histories — personal and cultural – that were once seen as taboos and covered by silence. The horizontal line combines three cabinets; each holds a specific theme ranging from family references, to cultural abstractions, with a trio of three massive pieces of photography linked together that symbolize a spiritual ‘purification.’
The exhibition is on view through May 5, 2018, at Being 3 Gallery, The Beijing No.3 Plastic Factory Cultural Park, No.129 NanGao Rd., Chaoyang Dist., Beijing. Post Code: 100015.
BY BLOUIN ARTINFO | MARCH 28, 2018